raf simons using artist prints for fabric dior 2012 | Raf Simons jil sander raf simons using artist prints for fabric dior 2012 In his debut Dior collection, Simons collaborated with contemporary artist Sterling Ruby. Simons used custom-made silks based on Ruby’s paintings, turning the canvases into .
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Embossed '30 MONTAIGNE' signature on the back; Adjustable leather shoulder strap with 'Christian Dior' military-inspired buckle; Interior zip pocket and phone pocket; Back pocket; Dust bag included; Made in Italy
A major contemporary art lover, Raf Simons chose paintings by American artist Sterling Ruby as motifs for four outfits of his first Dior Couture Fall 2012/13 collection.
Raf Simons ‘s first couture show for Christian Dior, in 2012 was a hit. But, as the documentary Dior and I (in theaters April 17) reveals, the designer’s march to that triumphant .In his debut collection for Dior, Raf Simons’s themes included sculptural lines, ravishing color, a preference for pockets, a sense of chic femininity but also ease. In almost every one of the 54 outfits, in the purposeful use of craft, Mr. Simons made a link to the modernity that Christian Dior brought to fashion right after World War II.
For his very first Haute Couture collection as Creative Director, Raf Simons analyzed the fundamental codes of the House and its most iconic design: the Bar suit. It was reinterpreted . In his debut Dior collection, Simons collaborated with contemporary artist Sterling Ruby. Simons used custom-made silks based on Ruby’s paintings, turning the canvases into . Raf Simons’ debut at Dior for Couture 2012-13, Paris. “Mr Dior was a supreme architect of pattern. He could construct something so perfect and yet he would often throw in a .July 2, 2012. PARIS — Before a single sculpted skirt swayed down the runway, or a blue shoe stepped daintily forward, or a model pursed her scarlet lips under a light veil and shook her .
In 2012, the towering figure of Mr Dior seemed to haunt Raf Simons. But as the film points out, this public incarnation of the brand Christian Dior, also haunted Christian Dior the . The blooms were a homage to Mr Dior’s “Flower Woman” and passion for gardens. But glowing, growing from within Simons’s curvilinear gowns and jackets were the rounded . A major contemporary art lover, Raf Simons chose paintings by American artist Sterling Ruby as motifs for four outfits of his first Dior Couture Fall 2012/13 collection.
Raf Simons ‘s first couture show for Christian Dior, in 2012 was a hit. But, as the documentary Dior and I (in theaters April 17) reveals, the designer’s march to that triumphant bow was. In his debut collection for Dior, Raf Simons’s themes included sculptural lines, ravishing color, a preference for pockets, a sense of chic femininity but also ease. In almost every one of the 54 outfits, in the purposeful use of craft, Mr. Simons made a link to the modernity that Christian Dior brought to fashion right after World War II.For his very first Haute Couture collection as Creative Director, Raf Simons analyzed the fundamental codes of the House and its most iconic design: the Bar suit. It was reinterpreted from every angle.
In his debut Dior collection, Simons collaborated with contemporary artist Sterling Ruby. Simons used custom-made silks based on Ruby’s paintings, turning the canvases into haute couture. Ruby was a contemporary of Simons .
Raf Simons’ debut at Dior for Couture 2012-13, Paris. “Mr Dior was a supreme architect of pattern. He could construct something so perfect and yet he would often throw in a gesture on purpose to break the perfection. He would make what he did human for the wearer. You could tell he loved women in that way, in that incredible gestural way.July 2, 2012. PARIS — Before a single sculpted skirt swayed down the runway, or a blue shoe stepped daintily forward, or a model pursed her scarlet lips under a light veil and shook her long,. In 2012, the towering figure of Mr Dior seemed to haunt Raf Simons. But as the film points out, this public incarnation of the brand Christian Dior, also haunted Christian Dior the man.
Raf Simons sterling ruby
The blooms were a homage to Mr Dior’s “Flower Woman” and passion for gardens. But glowing, growing from within Simons’s curvilinear gowns and jackets were the rounded volumes of Corolle—so light, so pure, so full of the future. A major contemporary art lover, Raf Simons chose paintings by American artist Sterling Ruby as motifs for four outfits of his first Dior Couture Fall 2012/13 collection.
Raf Simons ‘s first couture show for Christian Dior, in 2012 was a hit. But, as the documentary Dior and I (in theaters April 17) reveals, the designer’s march to that triumphant bow was.
In his debut collection for Dior, Raf Simons’s themes included sculptural lines, ravishing color, a preference for pockets, a sense of chic femininity but also ease. In almost every one of the 54 outfits, in the purposeful use of craft, Mr. Simons made a link to the modernity that Christian Dior brought to fashion right after World War II.For his very first Haute Couture collection as Creative Director, Raf Simons analyzed the fundamental codes of the House and its most iconic design: the Bar suit. It was reinterpreted from every angle.
In his debut Dior collection, Simons collaborated with contemporary artist Sterling Ruby. Simons used custom-made silks based on Ruby’s paintings, turning the canvases into haute couture. Ruby was a contemporary of Simons . Raf Simons’ debut at Dior for Couture 2012-13, Paris. “Mr Dior was a supreme architect of pattern. He could construct something so perfect and yet he would often throw in a gesture on purpose to break the perfection. He would make what he did human for the wearer. You could tell he loved women in that way, in that incredible gestural way.July 2, 2012. PARIS — Before a single sculpted skirt swayed down the runway, or a blue shoe stepped daintily forward, or a model pursed her scarlet lips under a light veil and shook her long,.
In 2012, the towering figure of Mr Dior seemed to haunt Raf Simons. But as the film points out, this public incarnation of the brand Christian Dior, also haunted Christian Dior the man.
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The 30 Montaigne 5-gusset card holder is crafted in metallic steel gray Microcannage calfskin and combines Dior elegance with its leather craftsmen's savoir-faire. Compact .
raf simons using artist prints for fabric dior 2012|Raf Simons jil sander
