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Teller's gritty aesthetic began to develop in 1996, when he famously photographed a naked .
Arguably the most famous image the pair have created together is “ the Versace .
The Revolution, Indeed. In 1996, he photographed the supermodel Kristen .
Teller's gritty aesthetic began to develop in 1996, when he famously photographed a naked Kristen McMenamy with the word 'Versace' scrawled across her chest in red lipstick. .
Arguably the most famous image the pair have created together is “ the Versace one”, in which McMenamy is standing naked, cigarette hanging from her mouth and hands .
The Revolution, Indeed. In 1996, he photographed the supermodel Kristen McMenamy nude, with the word Versace drawn on her chest in red lipstick. The light falls on .Teller first gained wider recognition in 1996 with his front cover of Süddeutsche Zeitung Magazine featuring a nude Kristen McMenamy with the word ‘Versace’ drawn in a heart across her .His breakthrough in fashion photography came with a bold cover for Süddeutsche Zeitung Magazine in 1996, featuring Kristen McMenamy nude with “Versace” etched across her chest.From his first visual for the band Björk and Morrissey, Teller made his foray into the fashion world, shooting the front cover of Süddeutsche Zeitung Magazine, featuring a nude Kristen .
Juergen Teller. Milan Fashion Week has always been thought of as a bit sleepier than its international counterparts in London, Paris, and New York. But it’s become . Juergen Teller on Life, Love, and Three Decades in Fashion. On the occasion of his career-spanning exhibition in Paris, the influential photographer reflects on the boundaries . Each of Teller’s artfully overexposed photographs told the story of another time or locale—outfitted to perfection by Jacobs, of course. I was particularly taken with his spring .
In one shot a tampon string peeks from between her thighs; the name “Versace” scrawled across her behind is framed by a sloppy red-lipstick heart. In another, our attention is drawn to a . Teller's gritty aesthetic began to develop in 1996, when he famously photographed a naked Kristen McMenamy with the word 'Versace' scrawled across her chest in red lipstick. . Arguably the most famous image the pair have created together is “ the Versace one”, in which McMenamy is standing naked, cigarette hanging from her mouth and hands . The Revolution, Indeed. In 1996, he photographed the supermodel Kristen McMenamy nude, with the word Versace drawn on her chest in red lipstick. The light falls on .
Teller first gained wider recognition in 1996 with his front cover of Süddeutsche Zeitung Magazine featuring a nude Kristen McMenamy with the word ‘Versace’ drawn in a heart across her .
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His breakthrough in fashion photography came with a bold cover for Süddeutsche Zeitung Magazine in 1996, featuring Kristen McMenamy nude with “Versace” etched across her chest.
From his first visual for the band Björk and Morrissey, Teller made his foray into the fashion world, shooting the front cover of Süddeutsche Zeitung Magazine, featuring a nude Kristen . Juergen Teller. Milan Fashion Week has always been thought of as a bit sleepier than its international counterparts in London, Paris, and New York. But it’s become .
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Juergen Teller on Life, Love, and Three Decades in Fashion. On the occasion of his career-spanning exhibition in Paris, the influential photographer reflects on the boundaries . Each of Teller’s artfully overexposed photographs told the story of another time or locale—outfitted to perfection by Jacobs, of course. I was particularly taken with his spring .
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